Get your music heard and evaluated by Top Music Supervisors
Sync Music Listening Sessions are a great new way for you to get your music heard and get essential feedback from top music supervisors in TV, film, video games, ads, trailers, brands, apps and the internet. Here’s how it works.
- Every week, we hold a two-hour online listening session with a top music supervisor that’s strictly limited to twenty registrants. We do this to make sure all participants get heard, get to interact and get their music evaluated.
- Every participant will submit a song for evaluation to us for listening during the session by the guest music supervisor.
- Every participant will get a video archive of the session, and all Listening Session playlists will be posted on the SyncSummit website and promoted to our 40,000 person mailing list.
Every Sync Music Listening Session get your music directly into the ears of a music supervisor who’ll get you valuable feedback – and you’ll make a valuable new connection.
And though we cannot guarantee your music will be used in a project, getting the advice from and connection to key decision makers will give you the invaluable feedback you can use to fine-tune your approach to music supervisors and their projects.
The Sync Music Listening Sessions are a premium product with a strictly limited audience and in order to suppo
JUNE 2018 SESSIONS:
Since 2009, Katie (Sippel) Byam has served on the music team at Activision Blizzard, the world’s largest video game publisher.
As Music Supervisor, Katie is responsible for sourcing, clearing and licensing music for all videogames published by Activision, including Guitar Hero, Call of Duty, Skylanders, Destiny, Tony Hawk, Spider-Man, Teenage Mutant Ninja Turtles, Peanuts, James Bond and several others.
She works with licensing existing music, sourcing original pieces, pitching & licensing music for game trailers and marketing campaigns, as well as hiring and supervising game composers. Additionally,
Chris is one of the leading music supervisors in Television and Film and is the music supervisor for iconic films like the amazing Emmy-winning Get Out, and TV shows that include The Vampire Diaries, Famous in Love, Scream the TV Series, Pretty Little Liars and many more – you can read his full credits on IMDB here.
JULY 2018 SESSIONS:
Stephanie Scarpulla heads up all aspects of music discovery, clearance and integration for the Major League Baseball and the National Hockey League Network.
Josh Rabinowitz’s mission is to produce a hit record through an ad.
Over the past decade and a half, he has written and/or produced over 5,000 tracks for brands globally.
These include some of the most high profile initiatives to integrate compelling music with advertising, including Rihanna’s breakthrough music/ad campaign with Cover Girl utilizing her hit song “Umbrella”, Macy Gray’s version of “Walk This Way” and Los Lonely Boys’ version of “I Walk the Line,” for the SONY Walkman, and, Alana Davis’ cover of Crosby, Stills, Nash and Young’s “Carry On” that landed her a deal with Columbia.
He has also worked on campaigns for Dr. Pepper featuring artists such as Black Eyed Peas, Run DMC (their last known recording together), LL Cool J, Smokey Robinson, LeAnne Rimes, Reba, Mark McGrath, Celia Cruz, B2K, Anastacia, and Latin heartthrob, Thalia. He has also worked on music for such films as “Going All the Way”, “Waking the Dead”, “Grand Theft Parsons” and “Arlington Road”
AUGUST 2018 SESSIONS:
Marcy Bulkeley is the Music Director at Wild Card AV (www.wildcardav.com).
Previously at Big Picture Entertainment and BLT. She is responsible for the music in the advertising campaigns for films such as The Martian, Alice Through the Looking Glass, Jurassic World, Black Mass, American Sniper, Peanuts, Heart of the Sea, Dawn of the Apes, and Inception, as well as many others.
In 2014 the Guild of Music Supervisors nominated Marcy in the category of Best Music Supervisor in Trailers for Noah, In 2013 for Looper, and in 2011 BLT & Associates was awarded a Key Art Award for Best Original Music in Trailers for the Inception campaign.
Marcy has been in the music supervision world for over fifteen years, consistently building and nurturing relationships with record labels, publishers, composers, agents, and music production companies worldwide. Marcy graduated from Emerson College with a degree in Audio / Radio Production and directed her studies towards film and television music.