Weitz


After working as both a composer and attorney, Adam combined both passions into creative licensing.  From tent-pole blockbusters to art-house indie films, single-camera comedies to period dramas, he has licensed thousands of tracks for films, TV series, commercials, trailers and theatrical marketing.  

Recent film and trailer/theatrical marketing placements include: Ant-Man, Avengers 2: Age of Ultron, Fantastic Four, Furious 7, Inside Out, Magic Mike XXL, Minions, Mission Impossible: Rogue Nation, Scouts Guide to the Zombie Apocalypse, Spy, Straight Outta Compton, Trainwreck, and We Are Your Friends. Recent TV placements include: Better Call Saul, The Blacklist, Empire, Game of Thrones, Girls, Last Man On Earth, Narcos, Orange is the New Black, and Silicon Valley.

Prior to joining APM, Adam was VP, Sync Licensing for Visions where he worked with an incredible roster of indie labels and publishers including:  K7 (Apparat, Kruder & Dorfmeister); Poker Flat (Trentemøller); Future Classic (Poolside, Flume); and Plug Research (Flying Lotus, Quadron). He has composed/music supervised spots for Budweiser, And-1 Shoes, Marc Ecko, Red Bull, Keds, Scion, Opening Ceremony, WESC, Kyocera, as well as animated series for CBS, Disney, and Bravo. Alongside Prince Paul and MF Doom, he co-produced MC Paul Barman’s critically acclaimed “Paullelujah,” was a contributor to McSweeney’s and a music consultant to This American Life.  He earned his B.A., Film/Media Studies from Fordham University and his J.D., Entertainment Law/IP from Syracuse University.   He is a native Brooklynite, a devoted fan of the New York Football Giants and cannot stop listening to the new Tame Impala album.